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Reading Tip: Front-Club – How We Danced (Zeit Magazine)

Pissed-off preambule: although the ZEIT-MAGAZINE’ has the most populist and hilarious Facebook account that’s ever appeared on timeline, it never held one back from buying DIE ZEIT. Still, reading every next post, i’m close to sending the social-media editors a maxi-letter full of shit .

Actual post: Anyways. This is now about something else, really – about an article on FRONT, the, as they say, legendary Hamburg house-club. That was, if we may believe the stylist Klaus Stockhausen, the first club in Germany, where house was played (by Stockhausen himself, of course).

On the occasion of the 30th anniversary of the club which has existed since 1997 ZEIT MAGAZINE asked some witnesses (hohoho!) – which wouldn’t be very interesting to our little fashion blog  if eyewitnesses weren’t big names in German fashion business now. Among others, Klaus Stockhausen (the fashion editor of German INTERVIEW MAGAZINE) and Christiane Arp (head of the German VOGUE) have their say.

The highly erotic Christiane Arp remembers it as follows: 

“I just danced though the night. Sometimes i took off the high heels, although i was actually born in them. I wore sweatshirts with collars cut out so that they’d hang on the shoulders. But comparing to guys, all of us girls looked pretty old..”

Also Stockhausen, who we find slightly less erotic, remembers of fashion in FRONT:

“I still remember pioneers dancing in Junior Gaultier and Yamamoto, in shoulder-wide suits that they refused to take off. It was a time when fashion occupied the streets. People saved up for a piece from Comme des Garçons or Mugler. British magazines like Blitz or Face were read. It was all non-german, just like the club: absolutely not German.”

You can read the whole article online (in German)- and find out after reading, that Berghain already once existed in Germany. In the eighties in Hamburg. 

Von: Jakob

LOOKBOOKS

TRENDS

 

Inflationary, bad: Wood-Sunglasses!

On a daily-bases, press-releases by labels are reaching us, which have specialised in the production of sunglasses out of wood.

They are boasting themselves with sustainability. Are praising their work with totally funny slogans like ‘Woody since 2012′, ‘In Wood We Trust’ or ‘Done by nature, designed for your eyes’.

All die Holzbrillen-Designs von Marken wie Kerbholz, Stadtholz, Wood Fellas, WOODONE, ROLF Spectacles, Eric Lauer, Enzo Forciniti, Scherler oder Zeitgeist Berlin tun das nicht.

The Berlin-based label with the original name ‘Stadtholz’ is assuring that one ‘really has a piece of nature on their nose’, when purchasing their glasses.

But does one want that?! Having a piece of nature on your nose, when it looks bad. Sustainability is great and all. But fashion is mainly about design. And that should look good.

Plus, there is nothing more annoying than labels, who are massively pining ‘sustainability’ on their flag. Most of the times it is exactly those labels, who have as much to do with sustainability as bumm-bumm-Boris with the smart usage of Twitter. Not a lot.

Von: Julian

NEWS

 

KRISVANASSCHE is not going to be continued!

Shortly after Scott Sternberg announced the end of Band of OutsidersKris Van Assche has also informed the public, that the label, which also carries his name, is not going to be continued.

Kris Van Assche will mainly concentrate on his work for DIOR HOMME. The Belgian designer announced the end of his label through a hand-written letter which  he gave to his business partners and the press.

‘Times are tough for independent labels.’, Van Assche said to WWD. ‘This wonderful adventure has reached a point where I feel the need to take a break and some distance to better think about how to develop my brand in the future.’

We will miss the sporty-but-buttoned-up aesthetics by KRISVANASSCHE!

Von: Julian

LOOKS

SPECIAL

VIDEO

FASHION SHOWS

 

New York Fashion Week: Hood by Air AW 2015

HOOD BY AIR presented their new collection ‘Daddy’ in a cellar-like setting at the Wall Street, the centrum of finance.

The mastermind behind HBA, Shayne Oliver, showed classics from the world of fashion, like button-down shirts, sweaters and polo t-shirts in the typical unisex Hood by Air Silhouette. Therefore it came to an hybrid between polo shirt and dress. Or camel coat and tank top.

The models wore locks in-front of their mouths and tights over their heads, like burglars. The soundtrack of the show, total freedom, was ended drastically, followed by jazz, underlined with the statement of the Empire:

“I wanna show you a faggot really can run this company”.

It becomes obvious how appreciated HBA is also in the art-world, when looking at the guests who attended the show, for example Klaus Biesenbach and Grace Coddington.

It seems that HBA, even after the diss by their once supporter A$AP ROCKY, is still very hip.

 

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