Instead of imitating all the other designers and set a runway show in a white Mercedes Benz tent at the Victory Column, he invited a few journalists, dozens of bloggers and even more young homosexuals who seemed to appear to all mourn the Nu Grave-Time and were one and all dressed in black leather to Bayblon cinema in Mitte.
Ten models stood on small white columns in front of the screen, but soon had to go in order to clear the view for what Patrick really wanted to show us: his fashion film “Metamohrphose”.
The lavishly produced film lasts for good 10 minutes. Besides the actor Wilson Gonzalez Ochsenknecht and Bonnie Strange, the owner of a thrift store, all models are primarily from the Hamburg agency PMA. The film “Metamohrphose” was shot in Berlin by Hakan Can.
While the film deserved a decent ovation from the audience at the premiere, it remains pretty unclear, at least for me, what exactly the Spring/Summer 2013 collection by Patrick Mohr looks like.
What you could see were well-known trademarks such as triangles, triangular-cut jeans and casual tank tops. New additions are faded color gradients, large prints and especially bags made of leather with graphic cut outs, and pale-printed scarves.
Bags and scarves are known in the fashion world as an absolute money-maker. Because nothing can generate high revenues, as accessories. Those who don’t believe it, might make a quick call to Marc Jacobs or Louis Vuitton.
Patrick Mohr, meanwhile, can be complimented for a zeitgeisty collection presentation. Let him enjoy fame, glory and money.